Analisis Gaya Bahasa Repetisi dalam Mahallul Qiyam  Maulid ad-Diba’i (Edisi Mil’u al- Awani) Perspektif Gorys Keraf

Salsabila Nova  Fatimah; Fakhrizal Fakhrizal; Muhammad Fauzan  Halim; Raswan Raswan; Dardiri Dardiri

doi:10.53038/tlmi.v4i2.315

Authors

Salsabila Nova Fatimah Universitas Islam Negeri Syarif Hidayatullah Jakarta, Indonesia
Fakhrizal Fakhrizal Institut Ilmu Al-Qur’an Jakarta, Indonesia
Muhammad Fauzan Halim Universitas Islam Negeri Syarif Hidayatullah Jakarta, Indonesia
Raswan Raswan Universitas Islam Negeri Syarif Hidayatullah Jakarta, Indonesia
Dardiri Dardiri Universitas Islam Negeri Syarif Hidayatullah Jakarta, Indonesia

DOI:

https://doi.org/10.53038/tlmi.v4i2.315

Keywords:

Repetition style, Mahall al-Qiyām, Gorys Keraf’s Theory

Abstract

This study aims to analyze the use of repition as a linguistic style in the Mahallul Qiyam text, found un the book Mil’u al-Awani fi Tahqiq al Mawlid ad- Diba’I, which comprise 40 stanzas. The research focuses on identifying and classifying types of repetition based on a stylistic framework develop by Gorys Keraf. A descriptive-qualitative method is employed, with the primary data consisting of stanzas from Mahallul Qiyam, analyzed textually.

The findings reveal that six out of the eight types of repetition identified by Gorys Keraf are present in the Mahallul Qiyam text: anaphora, epistrophe, mesodiplosis, tautotes, anadiplosis, and symploce. Among these, anaphora emerges as the most frequently used style. The repetition not only enhances the rhetorical strength of the text but also contributes to its aesthetic and spiritual resonance, which is characteristic of the Maulid recitation tradition.

This research contributes to the field of stylistics, particularly in the analysis of religious texts, by examining the rhetorical and spiritual functions of repetition through the lens of Gorys Keraf’s theory

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